THE BASIC PRINCIPLES OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are frequently yearning romantics, using this type of variation: Buster appears a plausible mate, as well as Tramp barely appears to possess a libido, only idealized notions. If their comedies were made in a far more liberated time, it is possible to imagine Keaton in mattress with a woman, but disquieting to think about the Tramp to be a sexu